Born on 10 December 1954, in Balcesti city, Romania, wrote in three languages: Romanian, French, and English.
Poet, playwright, novelist, writer of prose, tales for children, translator from many languages, experimental painter, philosopher, physicist, mathematician.
He graduated from the Department of Mathematics and Computer Science at the University of Craiova in 1979, earned a Ph. D. in Mathematics from the State University Moldova at Chisinau in 1997, and continued postdoctoral studies at various American Universities such as University of Phoenix, University of Texas at Austin, etc. after emigration in America.
In U.S. he worked as a software engineer for Honeywell (1990-1995), adjunct professor for Pima Community College (1995-1997), in 1997 Assistant Professor at the University of New Mexico - Gallup Campus, promoted to Associate Professor of Mathematics in 2003, and to full Professor in 2008..
Since June 2007 he was Chair of the Department of Math & Sciences.
During the Ceausescu's era he got in conflict with authorities. In 1986 he did the hunger strike for being refused to attend the International Congress of Mathematicians at the University of Berkeley, then published a letter in the Notices of the American Mathematical Society for the freedom of circulating of scientists, and became a dissident. As a consequence, he remained unemployed for almost two years, living from private tutoring done to students. The Swedish Royal Academy Foreign Secretary Olof G. Tandberg contacted him by telephone from Bucharest.
Not being allowed to publish, he tried to get his manuscripts out of the country through
the French School of Bucharest and tourists, but for many of them he lost track.
Escaped from Romania in September 1988 and waited almost two years in the political refugee camps of Turkey, where he did unskilled works in construction in order to survive: scavenger, house painter, whetstoner. Here he kept in touch with the French Cultural Institutes that facilitated him the access to books and rencontres with personalities.
Before leaving the country he buried some of his manuscripts in a metal box in his parents vineyard, near a peach tree, that he retrieved four years later, after the 1989 Revolution, when he returned for the first time to his native country. Other manuscripts, that he tried to mail to a translator in France, were confiscated by the secret police and never returned.
In March 1990 he emigrated to the United States.
He wrote hundreds of pages of diary about his life in the Romanian dictatorship (unpublished), as a cooperative teacher in Morocco ("Professor in Africa", 1999), in the Turkish refugee camp ("Escaped... / Diary From the Refugee Camp", Vol. I, II, 1994, 1998), and in the American exile - diary which is still going on.
But he's internationally known as the literary school leader for the "paradoxism" movement which has many advocates in the world, that he set up in 1980, based on an excessive use of antitheses, antinomies, contradictions, paradoxes in creation paradoxes - both at the small level and the entire level of the work - making an interesting connection between mathematics, philosophy, and literature
[ http://www.geocities.com/charlestle/paradoxism.html ].
He introduced the 'paradoxist distich', 'tautologic distich', and 'dualistic distich', inspired from the mathematical logic [ http://www.gallup.unm.edu/~smarandache/a/literature.htm ].
Literary experiments he realized in his dramas: Country of the Animals, where there is no dialogue!, and An Upside-Down World, where the scenes are permuted to give birth to one billion of billions of distinct dramas!
[ http://www.gallup.unm.edu/~smarandache/a/theatre.htm ].
"Paradoxism started as an anti-totalitarian protest against a closed society, where the whole culture was manipulated by a small group. Only their ideas and publications counted. We couldn't publish almost anything.
Then, I said: Let's do literature... without doing literature! Let's write... without actually writing anything. How? Simply: literature-object! 'The flight of a bird', for example, represents a "natural poem", that is not necessary to write down, being more palpable and perceptible in any language that some signs laid on the paper, which, in fact, represent an "artificial poem": deformed, resulted from a translation by the observant of the observed, and by translation one falsifies.
Therefore, a mute protest we did!
Later, I based it on contradictions. Why? Because we lived in that society a double life: an official one - propagated by the political system, and another one real. In mass-media it was promulgated that 'our life is wonderful', but in reality 'our life was miserable'. The paradox flourishing! And then we took the creation in derision, in inverse sense, in a syncretism way. Thus the paradoxism was born. The folk jokes, at great fashion in Ceausescu's 'Epoch', as an intellectual breathing, were superb springs.
The "No" and "Anti" from my paradoxist manifestos had a creative character, not at all nihilistic." Paradoxism, following the line of dadaism, lettrism, absurd theatre, is a kind of up-side down writings!
In 1992 he was invited speaker in Brazil (Universidad do Blumenau, etc.).
He did many poetical experiments within his avant-garde and published paradoxist m