World Library  
Flag as Inappropriate
Email this Article

BE (Pain of Salvation album)

Article Id: WHEBN0001144003
Reproduction Date:

Title: BE (Pain of Salvation album)  
Author: World Heritage Encyclopedia
Language: English
Subject: Pain of Salvation, BE (video), Daniel Gildenlöw, PainOfSalvation-BE.jpg, Pain of Salvation albums
Publisher: World Heritage Encyclopedia

BE (Pain of Salvation album)

Studio album by Pain of Salvation
Released September 27, 2004
Recorded various places, Sweden, February–July 2004
Genre Progressive rock, art rock, classical rock
Length 75:53
Label InsideOut Music
Producer Daniel Gildenlöw
Pain of Salvation chronology
Professional ratings
Review scores
Source Rating
Allmusic [1]
Sputnikmusic [2]
Silencio Hungary [3]
RevelationZ [4]
Sea of Tranquillity [5]

BE is Pain of Salvation's fifth studio album, released by InsideOutMusic in September 2004. It is a concept album focusing on the existence of God and humankind. Along with the band it features a nine-part orchestra, The Orchestra of Eternity, which features prominently throughout the album. This is the last album to feature Kristoffer Gildenlöw on bass. The album is the first Pain of Salvation album to be divided into more than three chapters.

The band performed it live as a rock opera. It was released as "BE" (Original Stage Production).


  • Outline 1
  • Track listing and song title meanings 2
  • Credits 3
    • Band 3.1
    • The Orchestra of Eternity 3.2
    • Guest Musicians 3.3
    • Other 3.4
    • Visual 3.5
  • References 4
  • External links 5


BE attempts to explore the many facets of human existence. It begins with the narration of Animae, someone or something who/that has existed for as long as he/she/it can remember and contemplates the nature of his/her/its existence and then begins a journey of understanding with the words: "I will call myself GOD and I will spend the rest of forever trying to figure out who I am".[6] The story continues from there. The characters that appear and disappear throughout the story are as follows:

  • Animae: Animae is the album's representation of God, or a Godhead.
  • Nauticus: Nauticus is the name of a fictional space probe that is, according to the album, the most intelligent space probe ever to be created. In reference to the marine 'neighborhood', Nauticus 'drifts' throughout space, searching for answers to save Earth from itself.
  • Imago: Imago is the image of humanity in its most natural form. Combined, Imago is the reflection of Animae.
  • Dea Pecuniae: Dea Pecuniae can be seen as a feminine version of Mr. Money, and the Eve of humanity's dark side. In a way, she represents sin.
  • Mr. Money: Mr. Money is the main character of the story; a man with the most wealth on Earth, who spends most of it on cryogenics in order to fulfill his wish - to be frozen, and not to be awakened until he is made immortal. He represents the darker side of humanity, being the Adam for Dea Pecuniae.

The sound and style are somewhat more varied than previous Pain of Salvation albums, but at the same time, calling upon those previous albums as influences. The album includes: narrative passages; a folk-like song; a gospel-prayer-like song; a church-hymn-like song; progressive metal songs; a classical piano/strings piece; a conversation with a radio in the background; news readings; and even a song that would not be out of place in a Broadway musical. Another song consists entirely of voice messages to be left on "God's answering machine". To approach this song, the band asks the subscribers of their newsletter to call a certain phone number and say what ever they would want to say to God.

In writing "BE", Daniel Gildenlöw used many resources for information, insights and inspiration. These can be viewed at the "BE" home page, and are intended as "points of departure" for listeners to continue their "own journey through "BE" ".

Track listing and song title meanings

[Chinassiah] is a word puzzle, as so many other titles and phrases on the album. It derives from a combination of China (for fragility and beauty, but also man made) and Messiah (for saviour but also the notion of something in which we, humanity, put our faith for salvation). Other puzzles on the same theme is Machinassiah (as above but with the adding of Machine symbolizing industry, artificial and a moving system), Machinageddon (as above but replacing Messiah with Armageddon for destruction and a negative spiral) and Machinauticus (as above but replacing Armageddon with Nauticus for searching, quest, lost and the creation of the probe).
— Daniel Gildenlöw

The Latin errors are on purpose on behalf of Daniel. In a letter to a fan, which was posted on the Remedy Lane forum, he wrote:

I'd say the trick is not to see the titles as pure Latin, but a connecting thread woven by words in Latin. Thus, Lilium Cruentus is formed by the words for lily and stained by blood and is preferably interpreted as a loss of innocence and virginity, see? There are no rules here, just triggers to the mind. Deus Nova - a god (male to its form but in a poetical value I simply wish to underline the paternal role in the act of creating the world) and the sense of novelty and beginning - the new. A new god on the rise. I was aware of the fact that the Latin was not correct (though sometimes it should be, like the very long chapter title, which is more of a sentence than the remaining puzzle) and for many of the titles I was left to choose between the erred one and the linguistically correct. In all cases I went for the poetically correct and/or most versatile in interpretation. The title with most errors in relation to its meaning would probably be Nihil Morari - for that one you have to make a two-step translation. Nihil meaning nothing is pretty simple, but then Morari is something like left-overs or corps as I recall it, but if you use the word remains for that same notion you have a words with two different meanings - and there's the magic, see? I should probably make clear that I didn't do this to puzzle people or make them feel stupid, it's just a way of naming your children, sometimes they need a whole world - the naming being some sort of magical process like a baptism of some sort, affecting the song emotionally whether the receivers will understand the titles or not. I don't know if this makes sense at all, but... it's like doing the right thing even if no one's watching you know? Very non-meta-physics in a way I guess...

The rough translations for the song titles are:


01. Animae Partus ("I Am") - A God Is Born ("I Am") 1:48


I Animae Partus

All in the Image of
02. Deus Nova - New God. Note that 'Deus' is masculine and 'Nova' is feminine, so it should have been either 'Deus Novus' (masculine) or 'Dea Nova' (feminine) if it were to be grammatically correct. However, this is intentional. 3:18
03. Imago (Homines Partus) - Imago (Man Is Born) 5:11
04. Pluvius Aestivus - Summer Rain 5:00
Of Summer Rain (Homines Fabula Initium) - Of Summer Rain (The Story of Man Begins)
As is evident by the list to the left, the track listing and structure of the album are very detailed and confusing. This actual album image describing the album may help to understand it.

II Machinassiah - See above.

Of Gods & Slaves
05. Lilium Cruentus (Deus Nova) - Blood Stained Lily (New God). Note that it should have been 'Lilium Cruentum' if it were to be grammatically correct. 5:28
On the Loss of Innocence
06. Nauticus (Drifting) - Nauticus (Drifting). Note that 'Nauticus' is Latin for Sailor, which directly applies to Nauticus' role in the concept. 4:58
07. Dea Pecuniae - Goddess of Money 10:09
I Mr. Money
II Permanere
III I Raise My Glass

III Machinageddon - See above.

Nemo Idoneus Aderat Qui Responderet
08. Vocari Dei - Messages to God 3:50
Sordes Aetas - Mess Age
09. Diffidentia (Breaching the Core) - Mistrust (Breaching The Core) 7:26
Exitus - Drifting II
10. Nihil Morari - Nothing Remains
(Homines Fabula Finis) - The Story of Man Comes To An End 6:21

IV Machinauticus - See above.

Of the Ones With no Hope
11. Latericius Valete - If You Are Strong, Be Strong 2:27
12. Omni - Everything 2:37
13. Iter Impius - Wicked Path 6:21
Martius, son of Mars
Obitus Diutinus
14. Martius/Nauticus II - Martius/Nauticus II 6:41

V Deus Nova Mobile

...and a God is Born
15. Animae Partus II 4:08

Concept, research, original stories, lyrics, narrations and texts by Daniel Gildenlöw. All music by Daniel Gildenlöw, except "Iter Impius" by Fredrik Hermansson. All orchestral arrangements by Daniel Gildenlöw, except "Imago" by Jan Levander and Daniel Gildenlöw and "Iter Impius" by Fredrik Hermansson. News casts, fake interview and other "snipplets" written by Kim Howatt, Jim Howatt and Daniel Gildenlöw.



  1. ^ Rick Anderson. "BE".  
  2. ^ "Pain Of Salvation - Be (album review)". Sputnikmusic. Retrieved 2012-01-15. 
  3. ^ nev (2011-02-26). "Pain of Salvation - BE (2004) // Silencio (Néma sírások visszhangjai)". Retrieved 2012-01-15. 
  4. ^ "RevelationZ Magazine - Your Heavy metal and Hard Rock resource". Retrieved 2012-01-15. 
  5. ^ "Review: "Pain Of Salvation : Be" - Sea of Tranquility - The Web Destination for Progressive Music!". Sea of Tranquility. Retrieved 2012-01-15. 
  6. ^ Full Animae Transcript (Partially included on album)

External links

  • The "BE" home page
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from World Library are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.