World Library  
Flag as Inappropriate
Email this Article

Charles Mackerras

Article Id: WHEBN0000318401
Reproduction Date:

Title: Charles Mackerras  
Author: World Heritage Encyclopedia
Language: English
Subject: English National Opera, Káťa Kabanová, Royal Philharmonic Orchestra, Sydney Symphony Orchestra, Leoš Janáček
Collection: 1925 Births, 2010 Deaths, 20Th-Century Australian Musicians, American Emigrants to Australia, Australian Classical Oboists, Australian Commanders of the Order of the British Empire, Australian Conductors (Music), Australian Knights Bachelor, Australian Members of the Order of the Companions of Honour, Australian Music Arrangers, Australian People of Polish-Jewish Descent, Cancer Deaths in England, Commanders of the Order of the British Empire, Companions of the Order of Australia, Conductors (Music) Awarded Knighthoods, Gilbert and Sullivan Performers, Grammy Award Winners, Honorary Members of the Royal Academy of Music, Honorary Members of the Royal Philharmonic Society, Members of the Order of the Companions of Honour, Music Directors (Opera), People Educated at St Aloysius' College (Sydney), People Educated at Sydney Grammar School, People Educated at the King's School, Parramatta, People from Schenectady, New York, People from Sydney, Recipients of Medal of Merit (Czech Republic), Recipients of the Centenary Medal, Royal Philharmonic Society Gold Medallists, Sydney Conservatorium of Music Alumni
Publisher: World Heritage Encyclopedia

Charles Mackerras

Mackerras in 2005

Sir Alan Charles Maclaurin Mackerras, AC, CH, CBE (; 17 November 1925 – 14 July 2010)[1][2] was an Australian conductor. He was an authority on the operas of Janáček and Mozart, and the comic operas of Gilbert and Sullivan. He was long associated with the English National Opera (and its predecessor) and Welsh National Opera and was the first Australian chief conductor of the Sydney Symphony Orchestra.


  • Early life and background 1
  • Early career 2
  • Later career 3
  • Death 4
  • Recordings 5
  • Honours 6
  • References 7
  • External links 8

Early life and background

Charles was born in Schenectady, New York, to Australian parents, Alan Mackerras and Catherine MacLaurin.[3] His father was an electrical engineer and a Quaker.[3] In 1928, when Charles was aged three, the family moved to Sydney, Australia. They initially lived in the suburb of Vaucluse, and in 1933, moved to the then semi-rural suburb of Turramurra.[4] Mackerras was the eldest of their seven children, including five brothers, the others being Malcolm, Colin, Alastair and Neil and two sisters, Joan and Elisabeth. They are descendants of the pioneer Australian musician Isaac Nathan.[3] Mackerras studied violin at the age of seven and later the flute[3] and was setting poems to music at eight, and wrote a piano concerto when he was 12.[4]

Mackerras initially attended his father's alma mater, Sydney Grammar School, and also St Aloysius College in Sydney.[3] While at Sydney Grammar, he showed a precocious talent by composing operas and conducting student performances in his early teens but his non-musical studies suffered.[4] Unconvinced that music was a viable profession, his parents removed the young Mackerras from temptation by sending him to board at The King's School. The school's focus on sport and discipline led the young artist to run away several times and he was eventually expelled.[4]

At age 16, Mackerras studied oboe, piano and composition at the NSW State Conservatorium of Music. He earned additional income from writing orchestral scores from recordings.[4] In 1943, Mackerras joined the ABC Sydney Orchestra as second oboist and at age 19, became principal oboist.[4][5][6] On 6 February 1947, Mackerras sailed for England on the RMS Rangitiki[3] intending to pursue conducting.[4] He joined Sadler's Wells Theatre as an orchestral oboist and cor anglais player.[3] He later won a British Council Scholarship, enabling him to study conducting with Václav Talich at the Prague Academy of Music.[3][4] While there, he formed a strong friendship with Jiří Tancibudek, Principal Oboe of the Czech Philharmonic, who introduced him to the operas of Leoš Janáček, thus commencing Mackerras's lifelong passion for that composer's music.[7] Tancibudek later emigrated to Australia himself.

In 1947, Mackerras married Judy Wilkins, a clarinettist. They had two daughters, Fiona and Catherine.[4][8] Fiona died of cancer in September 2006.[9] He was also the uncle of the Australian conductor Alexander Briger.[10]

Early career

Returning to England from Prague in 1948, Mackerras rejoined Sadler's Wells and began his lifelong association with the Sadler's Wells Opera, now Handel, Gluck, Bach, and Donizetti.[3][4] In the 1950s, well before the "authenticity" movement had come to general notice, Mackerras focused on the study and practical realization of period performance techniques, culminating in his landmark 1959 recording of Handel's Music for the Royal Fireworks using the original wind band instrumentation. In his 1965 performance of The Marriage of Figaro, he added the ornamentation in a historically informed style.

Mackerras also strongly championed the music of Janáček outside Czechoslovakia, where Mackerras himself judged his work with Janáček as his single most important legacy to music.[11] In 1951, he conducted the British premiere of Káťa Kabanová. He was also a noted authority on Mozart's operas and those of Sir Arthur Sullivan. His Sullivan ballet arrangement Pineapple Poll (1951, just after the expiration of copyright on Sullivan's music), based on one of Gilbert's Bab Ballads, continues to be a popular light music favourite in English speaking countries. Mackerras also arranged music by Giuseppe Verdi for the ballet The Lady and the Fool. He also arranged a suite from John Ireland's score for the 1946 film The Overlanders, after Ireland's death in 1962.

He became principal conductor of the BBC Concert Orchestra from 1954 to 1956.[12] In 1963, he made his debut at London's Covent Garden conducting Shostakovich's Katerina Izmailova. He directed the Hamburg State Opera from 1965 to 1969 and the English National Opera from 1970 to 1977.[13] In 1972, he made his Metropolitan Opera debut in New York conducting Gluck's Orfeo ed Euridice. Mackerras worked closely with Benjamin Britten for a time until 1958, when, during rehearsals for Britten's opera Noye's Fludde, he made comments about Britten liking prepubescent boys' company and Britten subsequently stopped speaking to him.[3][4] The events are described in John Bridcut's Britten's Children.

He conducted the Sydney Symphony Orchestra and Birgit Nilsson in the opening concert of the Concert Hall of the Sydney Opera House, in the presence of Queen Elizabeth II, in 1973.[6][14]

Later career

Mackerras was a guest conductor of the D'Oyly Carte Opera Company for The Pirates of Penzance and The Mikado during the 1975 D'Oyly Carte Centenary season at the Savoy. He later joined the D'Oyly Carte Opera Trust and later its Board of Trustees. In 1982 he was the first Australian national appointed chief conductor of the Sydney Symphony Orchestra, a post he held until 1985.[4]

In 1980, he became the first non-Briton to conduct the BBC Symphony Orchestra at the Last Night of the Proms.[3]

Mackerras directed the Welsh National Opera from 1987 to 1992, where his Janáček productions won particular praise. One of the highlights of the 1991 season was the reopening of the Estates Theatre in Prague, scene of the original premiere of Mozart's Don Giovanni, in which Mackerras conducted a new production of that opera to mark the bicentenary of Mozart's death. As Conductor Emeritus of Welsh National Opera, his successes included Tristan und Isolde, The Yeomen of the Guard, and La clemenza di Tito (all of which productions were brought to London). He was the principal guest conductor of the Scottish Chamber Orchestra (SCO) from 1992 to 1995, and held the title of Conductor Laureate with the SCO. He was principal guest conductor of the Royal Philharmonic Orchestra from 1993 to 1996. During the same period, he was also principal guest conductor of the San Francisco Opera. From 1998 to 2001 he was the music director of the Orchestra of St. Luke's. From 1987, he regularly conducted the Orchestra of the Age of Enlightenment and was appointed Emeritus Conductor in 2007.

In 2004, he became principal guest conductor of the Handel's Semele. Mackerras also had a long association with the Metropolitan Opera, where he conducted The Makropulos Case, Káťa Kabanová, Le Prophète, Lucia di Lammermoor, Billy Budd, Hansel and Gretel and The Magic Flute.

In August 2008, Mackerras was announced as the new Honorary President of the Edinburgh International Festival Society.[15] He was only the second person to hold this role, after Yehudi Menuhin. As the original part of the largest arts festival in the world, the Edinburgh International Festival featured performances from Mackerras throughout six decades since his first in 1952.

Mackerras summarised his strategy for working with an orchestra as follows:

I believe it's very important to edit orchestral parts explicitly and as thoroughly as possible, so that the musicians can play them without too much rehearsal. For instance, the other day I did all the Schumann symphonies with very little rehearsal at all. Because the parts were clearly marked, particularly with regard to dynamics, we were able to play them without needing to do that much preliminary work, focusing our attention on the interpretation rather than the technical business of who plays too loud or too soft.[16]

Mackerras was the President of Trinity College of Music, London.[5] He also served as Music Advisor to City Opera of Vancouver, a professional chamber opera company led by conductor Charles Barber.[17] He was also a Patron of Bampton Classical Opera.

On 18 December 2008, Mackerras served as the conductor for Alfred Brendel's final concert performance with the Vienna Philharmonic Orchestra. Mackerras's last public performance saw him conduct Così fan tutte at Glyndebourne in the summer of 2010.[18]

From 1999 Mackerras was a Patron of the Australian children's cancer charity Redkite.[19]


Mackerras died in London on 14 July 2010 at the age of 84, having suffered from cancer.[1][20] Throughout his final illness, he had continued to conduct, and had been scheduled to direct two of the BBC Proms on 25 July and 29 July 2010. He was also due to conduct the Scottish Chamber Orchestra performing Mozart's Idomeneo at the Edinburgh International Festival in August 2010, which would have been his 56th appearance at the festival.[20][21] The director of the BBC Proms, Roger Wright, announced that a Prom would be dedicated to Mackerras's memory.[21] Wright paid tribute to Mackerras, saying "Sir Charles was a great conductor and his loss will be deeply felt by musicians and audiences alike",[21] while Rory Jeffes of the Sydney Symphony Orchestra said that Australia had "lost a living treasure".[21] Mackerras is survived by his wife, Judy, and their daughter, Catherine.[3][4][22] His funeral was held at St Paul's, Covent Garden on 23 July 2010.[23]


Mackerras made his earliest records for EMI, in the final days of 78 rpm records, and he continued recording well into the era of compact discs in the multi-channel Super Audio CD format. In 1952, he conducted his first recording of his own Pineapple Poll ballet, which was issued on twelve sides, and subsequently transferred to LP. Some of his early recording sessions were for Walter Legge, standing in when Otto Klemperer and other eminent conductors were ill.[24]

He did not always restrict himself to the classical repertoire. For example, on 4 May 1955 he recorded Albert Arlen's song Clancy of the Overflow (to Banjo Paterson's poem) with Peter Dawson and the London Symphony Orchestra.[25]

A smaller UK record company, Pye Records, asked Mackerras to record Handel's Music for the Royal Fireworks. 'We had to do that in the middle of the night, in order to get our twenty-six oboes together.'[24] The recording, issued in 1959, was received with critical acclaim for attempting to reproduce the sound Handel would have heard, rather than the smoother orchestral arrangements usually played at that time.

In the 1960s Mackerras made the first recording of the Italian version of Gluck's Orfeo. For DG he conducted Purcell's Dido and Aeneas, and for EMI a 'new-look' Messiah, with scholarly texts, small forces and sprightly tempi. He followed that up with Handel's Saul and Israel in Egypt for DG. He also recorded the first complete Roberto Devereux with Beverly Sills.

In 1986, he conducted the London Symphony Orchestra in the soundtrack to Carroll Ballard's film version of The Nutcracker (better known as Nutcracker: The Motion Picture), the first full-length film version of Tchaikovsky's ballet to be given a major release in theatres.

Mackerras recorded three Mahler symphonies and all of the symphonies of Mozart, Brahms and Beethoven.[12] Along with the Mozart operas, these recordings continue to attract critical acclaim; as do his recordings of the operas of Janáček (Decca, Supraphon, and Chandos), and major works of Handel, Dvořák, Martinů, Richard Strauss, Shostakovich, Sibelius, Donizetti, Elgar, Delius, Walton, Holst, and Haydn, among many others.

For Telarc he also conducted Gilbert and Sullivan's Trial by Jury, H.M.S. Pinafore, The Pirates of Penzance, The Mikado, and The Yeomen of the Guard. In collaboration with David Mackie he reconstructed Sullivan's "lost" cello concerto, conducting its first performance with cellist Julian Lloyd Webber and the London Symphony Orchestra at Barbican Hall, London, in April 1986, and a recording for EMI shortly afterwards.[26]

Mackerras's discography also includes a recording of Britten's Gloriana, which won Gramophone magazine's "Best Opera Recording" in 1994.[12] In 1997, Mackerras recorded Le delizie dell'amor, with the soprano Andrea Rost, for Sony Classical. His most recent release for that label was Lucia di Lammermoor with the Hanover Band (S2K 63174). Other recent recordings for Sony Classical include Chopin's two piano concertos with Emanuel Ax and the Orchestra of the Age of Enlightenment (SK 60771) and (SK 63371). He also recorded Dvořák's Rusalka (Decca) and Slavonic Dances (Supraphon), Josef Suk's A Summer Tale (Decca), Mozart's Piano Concertos Nos. 20 and 24 with Alfred Brendel (Philips), and Brahms's two orchestral serenades (Telarc). For Linn Records he recorded a two-SACD set of Mozart's last four symphonies with the Scottish Chamber Orchestra in August 2007.[27] His final recording was Suk's Asrael Symphony, which was the composer's response to the deaths of his father-in-law Dvořák and wife in quick succession. It was recorded not long after the death of Mackerras's own daughter Fiona.


Charles Mackerras was appointed a Commander of the Order of the British Empire (CBE) in the 1974 New Year Honours,[28] and was knighted in the 1979 New Year Honours.[29][30] In 1978, he was presented with the Janáček Medal for services to Czech music, on stage at the Coliseum Theatre, by the Czechoslovak ambassador.[31] In 1990, he was awarded an Honorary Degree by the University of Hull. In 1996, he received the Medal of Merit from the Czech Republic, and, in 1997 he was made a Companion of the Order of Australia (AC) for services to music and Australian music.[5][32] In 2000 he was awarded the Hanno R. Ellenbogen Citizenship Award by the Prague Society for International Cooperation.[33] In 2001, he was awarded the Centenary Medal, created to mark the centenary of the Federation of Australia.[34] In 2003 he was made a Companion of Honour (CH) in the Queen's Birthday Honours.[35] In 2005, he was presented with the Royal Philharmonic Society Gold Medal,[36] and he was also the first recipient of the Queen's Medal for Music, announced by the Master of the Queen's Music, Sir Peter Maxwell Davies, on the stage of the Royal Albert Hall before a Proms performance of H.M.S. Pinafore.[37]



  1. ^ a b Wilson, Ashleigh (15 July 2010). "Symphony mourns death of conductor Charles Mackerras".  
  2. ^ "Sir Charles Mackerras dies".  
  3. ^ a b c d e f g h i j k l "Sir Charles Mackerras".  
  4. ^ a b c d e f g h i j k l m Maunder, Patricia (16 July 2010). "Scion of an Australian dynasty conducted for the whole world".  
  5. ^ a b c "Sir Charles Mackerras dies".  
  6. ^ a b Weaver, Matthew (15 July 2010). "Conductor Charles Mackerras dies".  
  7. ^ Australasian Double Reed Society
  8. ^ Blyth, Alan (15 July 2010). "Sir Charles Mackerras obituary".  
  9. ^ "Conductor led concert hours after death of his daughter". The Scotsman, 8 September 2006. Retrieved 16 October 2014
  10. ^ Meacham, Steve (22 August 2006). "A Dream Comes True".  
  11. ^ Moss, Stephen (20 August 2005). "The modest maestro".  
  12. ^ a b c Cutler, David (15 July 2010). "Factbox – Orchestra conductor Charles Mackerras dies".  
  13. ^ Phelan 1987, p. ??
  14. ^ "National treasure made music until the end".  
  15. ^ "Edinburgh International Festival Society Announces Sir Charles Mackerras as New Honorary President". 2008. Retrieved 2008-08-24. 
  16. ^ Hurwitz, David (2000). "A Talk With Sir Charles Mackerras". Classics Today. Retrieved 15 April 2007. 
  17. ^ "Who's Who".  
  18. ^ Christiansen, Rupert (15 July 2010). "A tribute to Sir Charles Mackerras".  
  19. ^ Redkite website
  20. ^ a b "Conductor Sir Charles Mackerras dies".  
  21. ^ a b c d "Conductor Sir Charles Mackerras dies aged 84".  
  22. ^ Wakin, Daniel J (15 July 2010). "Charles Mackerras, a Wide-Ranging Conductor, Dies at 84".  
  23. ^ "Charles Mackerras". The Times (personal announcements). 20 July 2010. Retrieved 20 July 2010. 
  24. ^ a b  
  25. ^ optus net
  26. ^ Stone, David (2002). "D'Oyly Carte Opera Company: Charles Mackerras". The Gilbert and Sullivan Archive. Retrieved 11 June 2007. 
  27. ^ "Entry for Mozart Symphonies 38–41". Retrieved 5 June 2008. 
  28. ^ The London Gazette: (Supplement) no. 46162. p. 8. 28 December 1973. Retrieved 14 September 2009.
  29. ^ The London Gazette: (Supplement) no. 47723. p. 1. 29 December 1978. Retrieved 14 September 2009.
  30. ^ The London Gazette: no. 47792. p. 3365. 13 March 1979. Retrieved 14 September 2009.
  31. ^ Phelan 1987, p. ?
  32. ^ Companion of the Order of Australia, AC, 26 January 1997,
    Citation: For service to music as an operatic conductor and for the promotion of the international status of Australian music.
  33. ^ Hanno R. Ellenbogen Citizenship Award, 3 September 2014,
  34. ^ Centenary Medal, 1 January 2001,
    Citation: For service to Australian society and music
  35. ^ The London Gazette: (Supplement) no. 56963. p. 4. 14 June 2003. Retrieved 14 September 2009.
  36. ^ "Gold Medallists 2000 to date". Royal Philharmonic Society. Retrieved 14 September 2009. 
  37. ^ "First winner of The Queen's Medal for Music announced at BBC Proms".  


  • Phelan, Nancy (1987). Charles Mackerras: A Musician's Musician. London: Victor Gollancz.  
  • Simeone, Nigel, and John Tyrrell (eds) (2015). Charles Mackerras. Woodbridge: Boydell Press.  

External links

  • Charles Mackerras at AllMusic
  • Charles Mackerras at the Bach Cantatas Website
  • Charles Mackerras at the Internet Movie Database
  • Charles Mackerras profile and interview at
  • Charles Mackerras biography and interview at the Philharmonia Orchestra
  • Interview with Charles Mackerras at the City of Birmingham Symphony Orchestra
  • Profile focusing on Mackerras's Sullivan connections
  • Recent profile of Mackerras
  • Clip of Mackerras conducting on YouTube
  • Photos of Mackerras throughout his life
  • Mackerras and the Sydney Symphony Orchestra at the 'Sydney Opera House Opening Concert' in 1973
  • Interview with Charles Mackerras by Bruce Duffie, 6 November 1986
Cultural offices
Preceded by
Gilbert Vinter
Principal Conductor, BBC Concert Orchestra
Succeeded by
Vilém Tauský
Preceded by
Bryan Balkwill and Mario Bernardi
Music Director, Sadler's Wells (English National Opera from 1974)
Succeeded by
Charles Groves
Preceded by
Louis Frémaux
Chief Conductor of the Sydney Symphony Orchestra
Succeeded by
Zdeněk Mácal
Preceded by
Richard Armstrong
Music Director, Welsh National Opera
Succeeded by
Carlo Rizzi
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from World Library are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.