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Commemoration of the American Civil War


Commemoration of the American Civil War

The Commemoration of the Lost Cause of the Confederacy.[1]

Flags decorate the graves at Arlington National Cemetery on Memorial Day


  • Memorial Day 1
  • Lost Cause of the Confederacy 2
  • Grant's Tomb 3
  • Gettysburg Battlefield 4
  • Lincoln Memorial 5
  • American Civil War Centennial (100) 6
  • Civil War Sesquicentennial (150) 7
    • Governmental support 7.1
      • National Park Service 7.1.1
      • Federal funding and grants 7.1.2
        • NPS federal funding
        • Civil War Battlefield Preservation Program (CWBPP)
      • State funding and grants 7.1.3
      • Private funding 7.1.4
    • Reenactments 7.2
      • Location and funding 7.2.1
      • NPS versus reenactment groups 7.2.2
      • African American reenactors 7.2.3
      • Women reenactors 7.2.4
      • Controversy 7.2.5
    • Other commemoration 7.3
      • Ken Burns' project 7.3.1
      • States 7.3.2
        • Arkansas
        • Georgia
        • New York
        • South Carolina
        • Texas
        • Virginia
    • Art 7.4
      • Preservation 7.4.1
      • Controversy 7.4.2
      • Music 7.4.3
      • Theater 7.4.4
    • Digital media 7.5
      • Mobile apps 7.5.1
      • State tourism in digital media 7.5.2
      • Education 7.5.3
        • Education resources
      • Social media 7.5.4
    • Controversy 7.6
  • Hollywood 8
    • Filmography 8.1
  • See also 9
  • Notes 10
  • Further reading 11
    • Memory 11.1
    • Re-enactment 11.2
    • Popular culture, novels, films 11.3
    • Art and music 11.4
    • Tour guides 11.5

Memorial Day

Most of the war dead are buried at Arlington National Cemetery and other national cemeteries near the battle zones. Memorial Day (or "Decoration Day") originated shortly after the American Civil War to commemorate the Union and Confederate soldiers who died in the Civil War. The Confederates set up a different day at first but then merged it into the national holiday. By the 20th century, Memorial Day had been extended to honor all Americans who have died while in the military service.[2]

Lost Cause of the Confederacy

The Lost Cause is the literary and intellectual movement that sought to reconcile the traditional white society of the South to the defeat of their new nation. Gallagher and Nolan say:

The architects of the Lost Cause acted from various motives. They collectively sought to justify their own actions and allow themselves and other former Confederates to find something positive in all-encompassing failure. They also wanted to provide their children and future generations of white Southerners with a 'correct' narrative of the war.[3]

Grant's Tomb

The death of General Ulysses S. Grant in 1885 was the occasion for commemoration. A funeral train carried the body to New York City, where a quarter of a million people viewed in the two days prior to the funeral. His pallbearers included Union Generals William Tecumseh Sherman and Philip Sheridan, Confederate Generals Simon Bolivar Buckner and Joseph E. Johnston, Admiral David Dixon Porter, and John A. Logan, the head of the GAR. His body was laid to rest in the General Grant National Memorial ("Grant's Tomb"), the largest mausoleum in North America. Attendance at the New York funeral topped 1.5 million. Ceremonies were held in other major cities around the country.[4]

Gettysburg Battlefield

The Gettysburg battlefield, dedicated by President Lincoln who presented his iconic

  • (Anonymous) The Civil War Preservation Trust's Civil War Sites: The Official Guide to Battlefields, Monuments, and More. Old Saybrook, Connecticut: Globe Pequot Press, 2003.
  • Johnson, Clint. Touring the Carolinas' Civil War Sites. (2nd ed. Winston-Salem, NC: John F. Blair, 2011 ISBN 978-0-89587-403-0.)
  • Johnson, Clint. Touring Virginia's and West Virginia's Civil War Sites (Winston-Salem, NC: John F. Blair, Publisher, 1999. ISBN 978-0-89587-184-8)
  • Lee, Richard McGowan. General Lee's City: An Illustrated Guide to the Historic Sites of Confederate Richmond. (EPM Publications, 1987)
  • Morgan, Bill. The Civil War Lover's Guide to New York City. (Savas Beatie, LLC, 2013. ISBN 978-1-61121-122-1)
  • Salmon, John S. The Official Virginia Civil War Battlefield Guide. (Stackpole Books, 2001)

Tour guides

  • Cornelius, Steven H. Music of the Civil War Era. (Greenwood Press, 2004)
  • Holzer, Harold and Mark E. Neely, Jr. Mine Eyes Have Seen the Glory: The Civil War in Art. (Orion Books, 1993)
  • Kelley, Bruce and Mark A. Snell. Bugle Resounding: Music and Musicians of the Civil War. (University of Missouri Press, 2004)
  • McWhirter, Christian. Battle Hymns: The Power and Popularity of Music in the Civil War. (University of North Carolina Press, 2012)
  • Savage, Kirk. Standing Soldiers, Kneeling Slaves: Race, War and Monument in Nineteenth-Century America (1997), looks at public sculptures commemorating the war.
  • Sears, Stephen W. American Heritage Century Collection of Civil War Art (1983)

Art and music

  • Aaron, Daniel. The Unwritten War: American Writers and the Civil War (1973)
  • Browne, Ray B. The Civil War and Reconstruction (American Popular Culture Through History) (2003)
  • Chadwick, Bruce. The Reel Civil War: Mythmaking in American Film (2009)
  • Gallagher, Gary W. Causes Won, Lost, and Forgotten: How Hollywood and Popular Art Shape What We Know about the Civil War. 2008.
  • Sears, Stephen W., ed. Civil War: A Treasury of Art and Literature (1992)
  • Terman, M. R. Hiram's Honor: Reliving Private Terman's Civil War (2009) and Hiram's Hope: The Return of Isaiah (2014).
  • Warren, Craig A. Scars to Prove It: The Civil War Soldier and American Fiction. (Kent State University Press, 2009)
  • Wilson, Edmund. Patriotic Gore: Studies in the Literature of the American Civil War (1962)

Popular culture, novels, films

  • Allred, Randal. "Catharsis, Revision, and Re‐enactment: Negotiating the Meaning of the American Civil War," Journal of American Culture (1996) 19#4 pp 1–13.
  • Chronis, Athinodoros. "Coconstructing heritage at the Gettysburg storyscape." Annals of tourism research (2005) 32#2 pp 386–406.
  • Chronis, Athinodoros. "Co-constructing the narrative experience: staging and consuming the American Civil War at Gettysburg," Journal of Marketing Management (2008) 24#1 pp 5–27.
  • Decker, Stephanie K. "Being period: an examination of bridging discourse in a historical reenactment group," Journal of Contemporary Ethnography (2010) 39#3 pp 273–296.
  • Gapps, Stephen. "Mobile monuments: A view of historical reenactment and authenticity from inside the costume cupboard of history," Rethinking History (2009) 13#3 pp 395–409.
  • Hadden, Robert Lee. "Reliving the Civil War: A reenactor's handbook". (Stackpole Books, 1999)
  • Hall, Dennis. "Civil War reenactors and the postmodern sense of history," Journal of American Culture (1994) 17#3 pp 7–11
  • Horwitz, Tony. Confederates in the Attic: Dispatches from the Unfinished Civil War (1998), an ethnographic study of re-enactors and groups engaged in remembrance.
  • Teitelman, Emma. "'Knights and Their Ladies Fair': Reenacting the Civil War." (PhD dissertation, Wesleyan University, 2010)


  • Albanese, Catherine. "Requiem for Memorial Day: Dissent in the Redeemer Nation", American Quarterly, (1974) 26#4 pp. 386–398 in JSTOR
  • Blight, David W. "Decoration Day: The Origins of Memorial Day in North and South" in Alice Fahs and Joan Waugh, eds. The Memory of the Civil War in American Culture (2004), online edition pp 94–129
  • Blight, David W. Race and Reunion: The Civil War in American Memory (2000) excerpt and text search
  • Buck, Paul H. The Road to Reunion, 1865–1900 (1937); examines the reconciliation between the regions by white veterans
  • Bresnahan, Jim, ed. Revisioning the Civil War: Historians on Counter-Factual Scenarios. Jefferson, North Carolina: McFarland & Company, Inc., 2006. ISBN 978-0-7864-2392-7.
  • Catton, Bruce. Reflections on the Civil War. Edited by John Leekley. Garden City, NY: Doubleday & Company, Inc., 1981. ISBN 978-0-385-06347-0.
  • Cook, Robert J. Troubled Commemoration: The Civil War Centennial, 1961–1965. (Louisiana State University Press, 2007)
  • Connelly, Thomas L. The Marble Man. Robert E. Lee and His Image in American Society (1977).
  • Gallagher, Gary W. Lee & His Army in Confederate History (University of North Carolina Press, 2001)
  • Gallagher, Gary W. Lee and His Generals in War and Memory (Louisiana State University Press, 1998)
  • Gallagher, Gary W. and Alan T. Nolan, eds., The Myth of the Lost Cause and Civil War History (2000)
  • Harris, M. Keith. Across the Bloody Chasm: The Culture of Commemoration Among Civil War Veterans (Louisiana State University Press; 2014) 232 pp
  • Hattaway, Herman. Reflections of a Civil War Historian: Essays on Leadership, Society, and the Art of War. (University of Missouri Press, 2004)
  • Janney, Caroline E. Remembering the Civil War: Reunion and the Limits of Reconciliation (2013) excerpt and text search
  • Janney, Caroline E. Burying the dead but not the past: Ladies' Memorial Associations and the lost cause (2008)
  • Panabaker, James. Shelby Foote and the Art of History: Two Gates to the City. (University of Tennessee Press, 2004)
  • Pressly, Thomas. Americans Interpret Their Civil War. 1954; examines different theories on the causes of war
  • Wilson, Charles Reagan. Baptized in Blood: The Religion of the Lost Cause, 1865–1920 (University of Georgia Press, 1980)


Further reading

  1. ^ Caroline E. Janney, Remembering the Civil War: Reunion and the Limits of Reconciliation (2013)
  2. ^ David W. Blight, "Decoration Day: The Origins of Memorial Day in North and South" in Alice Fahs and Joan Waugh, eds. The Memory of the Civil War in American Culture (2004), pp 94–129
  3. ^ Gary W. Gallagher, and Alan T. Nolan, eds., The Myth of the Lost Cause and Civil War History (2000) p. 1.
  4. ^ H.W. Brands, The Man Who Saved The Union Ulysses S. Grant in War and Peace (2012) pp 633-35
  5. ^
  6. ^ U.S. National Park Service, [ Gettysburg National Military Park]
  7. ^ Raymond Arsenault, The Sound of Freedom: Marian Anderson, the Lincoln Memorial, and the concert that awakened America (2009)
  8. ^ Christopher A. Thomas, The Lincoln Memorial and American Life (2002)
  9. ^ Robert J. Cook, Troubled Commemoration: The Civil War Centennial, 1961–1965 (Louisiana State University Press, 2007)
  10. ^ Cook, Troubled Commemoration: The American Civil War Centennial, 1961-1965 (2007) p 126
  11. ^ Edward L. Ayers, The Civil War and Emancipation 150 Years On, Southern Spaces 17 May 2011.
  12. ^ Harris Interactive, "150 Years Later Remembering the American Civil War" (2011) online
  13. ^ David Person, "Should we 'celebrate' the Civil War?" - USATODAY Forum 2/22/2011 online
  14. ^
  15. ^
  16. ^
  17. ^
  18. ^
  19. ^ Park Service Commended for 150th Civil War Anniversary Work
  20. ^
  21. ^ Molland, Judy. "Sesquicentennial Of The American Civil War – But Is It Still With Us?"Care2. N.p., 11 Apr. 2011. Web. 08 Dec. 2013.
  22. ^ "Untitled Document." The Library of Congress, Bill Summary & Status Search Results. N.p., n.d. Web. 08 Dec. 2013.
  23. ^ a b "Bill Text112th Congress (2011-2012)S.599.IS." Bill Text. N.p., n.d. Web. 08 Dec. 2013.
  24. ^ See Illinois project
  25. ^ National Park Service FY 2014 Budget Justifications." The United States Department of the Interior, n.d. Web. 9 Dec. 2013.
  26. ^ a b c Janiskee, Bob. "As the Civil War Sesquicentennial Draws Near, Endangered Battlefields Get More Federal Attention and Money." Commentary, News and Life in America's National Parks. N.p., 2 Nov. 2009. Web. 09 Dec. 2013.
  27. ^ Home." Markers and Grants -Arkansas Civil War Sesquicentennial Commission. N.p., n.d. Web. 09 Dec. 2013
  28. ^ "Central Connecticut State University (CCSU): Organizational Partners." Central Connecticut State University (CCSU): Organizational Partners. N.p., n.d. Web. 09 Dec. 2013.
  29. ^ "State of Delaware - Search and Services/Information." State of Delaware. N.p., n.d. Web. 09 Dec. 2013.
  30. ^ "About Us." About Georgia's Civil War Sesquicentennial Website. N.p., n.d. Web. 09 Dec. 2013.
  31. ^ "Illinois Civil War 150th Anniversary." Illinois Civil War 150th Anniversary. N.p., n.d. Web. 09 Dec. 2013.
  32. ^ "Discovering Together: Kentucky's Civil War Landscapes." Kentucky Historical Society. N.p., n.d. Web. 09 Dec. 2013.
  33. ^ "The Maine Civil War Sesquicentennial." Maine's Civil War Sesquicentennial. N.p., n.d. Web. 09 Dec. 2013.
  34. ^ "Open Grants." Maryland Humanities Council. N.p., n.d. Web. 09 Dec. 2013.
  35. ^ "DNR - Grants." DNR - Grants. N.p., n.d. Web. 09 Dec. 2013.
  36. ^ "Mississippi Civil War Sesquicentennial." Mississippi Civil War Sesquicentennial. N.p., n.d. Web. 09 Dec. 2013.
  37. ^ "Missouri Civil War Sesquicentennial Home Page." Missouri Civil War Sesquicentennial. N.p., n.d. Web. 09 Dec. 2013.
  38. ^ "New Jersey Civil War 150 Committee - NJCW150." New Jersey Civil War 150 Committee - NJCW150. N.p., n.d. Web. 09 Dec. 2013
  39. ^ "New York Civil War Sesquicentennial Homepage." New York Civil War Sesquicentennial Homepage. N.p., n.d. Web. 09 Dec. 2013.
  40. ^ "North Carolina Civil War Sesquicentennial." North Carolina Civil War Sesquicentennial. N.p., n.d. Web. 09 Dec. 2013.
  41. ^ "Ohio Civil War 150 » Civil War 150 Advisory Committee." Ohio Civil War 150. N.p., n.d. Web. 09 Dec. 2013.
  42. ^ "Pennsylvania Civil War 150 - Harrisburg, PA - Government Organization | Facebook."Facebook. N.p., n.d. Web. 09 Dec. 2013.
  43. ^ Latest Facebook Wall Post." South Carolina Civil War Sesquicentennial. N.p., n.d. Web. 09 Dec. 2013.
  44. ^ "Tennessee Vacation - The State's Official Travel Planning Website." Tennessee Vacation - The State's Official Travel Planning Website. N.p., n.d. Web. 09 Dec. 2013.
  45. ^ "Virginia Sesquicentennial Commemoration of the American Civil War." Virginia Sesquicentennial Commemoration of the American Civil War. N.p., n.d. Web. 09 Dec. 2013.
  46. ^ "American Civil War Sesquicentennial Tourism Marketing Program." - Virginia Tourism Corporation. N.p., n.d. Web. 09 Dec. 2013.
  47. ^ "About the Commission." About the Commission. N.p., n.d. Web. 09 Dec. 2013.
  48. ^ "Wisconsin Civil War Sesquicentennial." Wisconsin Civil War Sesquicentennial. N.p., n.d. Web. 09 Dec. 2013
  49. ^ Sanfilippo, Pam. "NEH and the Civil War Sesquicentennial." National Council on Public History. N.p., n.d. Web. 8 Dec. 2013.
  50. ^ Agnew, Vanessa. "Introduction: What Is Reenactment?." Criticism. no. 3 (2004): 327. 10.1353/crt.2005.0001 (accessed December 1, 2013).
  51. ^
  52. ^ Gast, Phil., "150th anniversary of Battle of Gettysburg provides a bigger story". Last modified June 30, 2013. Accessed December 2, 2013.
  53. ^ Olustee Battlefield Historic State Park, "Annual Reenactment of the Battle of Olustee or Ocean Pond," Schedule of Events,
  54. ^ National Park Service, "Wilson's Creek National Battlefield", Frequently Asked Questions (accessed November 29, 2013).
  55. ^ Annual Gettysburg Civil War Battle Reenactment, "The Battle of Gettysburg", About GAC (accessed December 2, 2013).
  56. ^ Brooksville Raid Reenactment Website, "Welcome to the Brooksville Raid," Brooksville Raid Reenactment Sponsors,
  57. ^ YouTube, "National Park Service Battle Reenactment Policy Video", 4 min 29 sec (accessed December 2, 2013).
  58. ^ National Park Service, "Reenactors in the Parks: A Study of External Revolutionary War Reenactment Activity at National Parks", Section 2: Values and Perceptions (accessed November 12, 2013). Mitch Smith, "African-American re-enactors bring history to life", Chicago Tribune, June 23, 2013, (accessed December 6, 2013).
  59. ^ Montee Fields-White, "Black Civil War Re-Enactors Reclaim History", The Root (accessed December 1, 2013).
  60. ^ Macy L. Freeman, "Civil War Reenactor Keeps History of U.S. Colored Troops Alive", AARP Bulletin (accessed December 3, 2013).
  61. ^ Olustee Battlefield Historic State Park, "Annual Reenactment of the Battle of Olustee or Ocean Pond", How People of Color Served in the Civil War (accessed December 2, 2013).
  62. ^ Asa Gordon, "Sesquicentennial Civil War Commemorative Events, April 2011 through May 2015", African American Civil War Memorial Freedom Foundation (Retrieved November 7, 2013).
  63. ^ 23rd Regiment United States Colored Troops Facebook Page. Retrieved October 29, 2013
  64. ^ Wilson Freeman, "Calling All Welcoming Reenacting Units!", Historically Speaking: The Life and Times of a Historical Reenactor, November 10, 2012 (accessed November 29, 2013).
  65. ^ Nina Brands, "Historical Re-enactments", Talking Post, June 12, 2012 (accessed December 1, 2013).
  66. ^ a b Kessler, Brandie., "Two re-enactments give Gettysburg 150th a new skirmish". Last modified June 01, 2013. Accessed December 9, 2013.
  67. ^ Dishneau, David ., "Antietam battle so big, there are 2 re-enactments". Accessed December 9, 2013.
  68. ^ 69th New York State Volunteers, "Gettysburg 150th Anniversary Reenactment". Accessed December 9, 2013.
  69. ^ Burns, Ken, "The Address", PBS/WETA, 2013.
  70. ^ Burns, Ken, "Learn the Address", WETA. 2013.
  71. ^ Burns, Ken, "President Obama Recites the Gettysburg Address", Youtube, 1:46, November 9, 2013.
  72. ^ Chumley, Cheryl, "Obama's 'under God' Omission in Gettysburg Address Sparks Fire," Washington Times November 20, 2013.
  73. ^ Condon, Stephanie, "White House Explains Why Obama Didn't Say 'Under God' in Gettysburg Address", CBS News, November 19, 2013.
  74. ^ "Civil War 150:State by State", NPS.GOV, National Park Service, The Department of the Interior. Retrieved November 12, 2013.
  75. ^ Hermina Glass-Avery, Leslie Harris, and Jyotsna Vanapalli, "Assessing African American Attitudes towards the Civil War", Center for the Study of the Civil War Era, Kennesaw State University for Kennesaw Mountain National Battlefield Park, National Park Service, 2010. Retrieved November 5, 2013
  76. ^ "Diverse Voices and Faces of the Civil War, 2011-2012", Civil War Sesquicentennial Commemoration, Hartwick College, 2013. Retrieved October 29, 2013.
  77. ^ Robert Behre, "NAACP to Protest Secession Event", Post and Courier, December 3, 2010. Retrieved November 19, 2013.
  78. ^ Douglas Stanglin, "NAACP Protests Tonight's 'Secession Ball' in South Carolina", December 21, 2010. Retrieved October 30, 2013
  79. ^ "African Americans in Texas: A Lasting Legacy Timeline", Galveston Historical Foundation, Galveston County Historical Commission, 2011, Retrieved June, 2015.
  80. ^ Statewide Calendar of Events, Signature Conferences, The Virginia Sesquicentennial of the American Civil War Commission, The Commonwealth of Virginia, 2013. Retrieved November 3, 2013.
  81. ^ "Race, Slavery and the Civil War: The Tough Stuff of American History and Memory," Signature Conference Series, Virginia Sesquicentennial of the American Civil War Commission, The Commonwealth of Virginia, 2012, DVD.
  82. ^ a b The Official Dale Gallon Website, 2013
  83. ^ Neil, Dru Anne, Gettysburg Seminary Ridge Museum and Dale Gallon, renowned historical artist, partner to enhance museum exhibits, for the Seminary Ridge Museum: May 2nd, 2013.
  84. ^ Worthington, Don, S.C. State Museum features paintings of famous Civil War artist, for The Rock Hill Herald: December 2nd, 2012
  85. ^ McFarland, Laura, Kuntsler Plans Series, for The Winchester Star: November 30th, 2012
  86. ^ Honoring the 150th Anniversary of the War Between the States with the Artwork of an American Master, for America Remembers: 2013
  87. ^ Colimore, Edward, New Painting Honors Key Civil War Moment for African Americans for June 20th, 2013
  88. ^ a b The Gettysburg Cyclorama, for The National Park Service website: 2013
  89. ^ a b c Armas, Genaro C. and Livglio, Joann, Gettysburg Cyclorama allows new look at old work, for the Associated Press: June 27th, 2013
  90. ^ a b Jonie, Andrew Pete, Interpreting Landscape: Understanding Through a Story of Architectural Experience, 1997.
  91. ^ Weaver, Stephanie, Protestors: Keep Cyclorama Building, for The Daily Record/ Sunday News: 02/25/2013
  92. ^ Owens, Mitchell, Richard Neutra's Gettysburg Cyclorama to be Demolished, for Architectural Digest: January 25, 2013
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  100. ^ Laura Drake Davis and Renee Savits, "Civil War 150 Legacy Project: Document Digitization and Access," Virginia Libraries 56, no. 4 (2010): 17.
  101. ^ Tim Rowland and Elizabeth Roland, " Sesquicentennial Apps," Civil War Times 52, no. 4 (2013): 1.
  102. ^ Designsensory, Inc, "Nearby," Tennessee Civil War 150 App, (2013): 1.
  103. ^ Designsensory, Inc, "Artifacts," Tennessee Civil War 150 App, (2013): Uniforms and Arms.
  104. ^ Jessica Rettig, "Visit a Civil War Battlefield," U.S. News & World Report 147, no. 11 (2010): 60-61.
  105. ^ "Historic Hotels of America Commemorates the Civil War Sesquicentennial with Website Enhancements" Historic Hotels of America, (2011): 1.
  106. ^ "The Civil War in Virginia", Virginia is for Lovers, accessed December 2, 2013.
  107. ^ "Deals and Events" Virginia Capital Region USA, accessed December 8, 2013.
  108. ^ Humanities EDSITEment project
  109. ^ Eric Robelen, "Primary Sources Breathe Life into Civil War; Teachers are Using Firsthand Materials and Technology to Bring Deeper Understanding of the Era," Education Week 30, no. 28 (2011): 1
  110. ^ "Pennsylvania Civil War 150" Pennsylvania Historic Society, accessed December 2, 2013.
  111. ^ "Longwood University launches Civil War Sesquicentennial Podcast," Longwood University, November 1, 2010,
  112. ^ LibGuide
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  120. ^ "Instagram - Fast, beautiful photo sharing for your iPhone." Instagram. (accessed December 9, 2013).
  121. ^ Associated Press, "NPS: President May Attend Gettysburg Address Event,", October 24, 2013,
  122. ^ Associated Press, "Obama Won't Attend Gettysburg Remembrance," MSN. October 31, 2013,
  123. ^ NPS, "The Gettysburg Address 150 Years Later," From the Fields of Gettysburg (blog), November 20, 2013,
  124. ^ "Retraction for Our 1863 Editorial Calling Gettysburg Address 'Silly Remarks'", The Patriot-News (Harrisburg, PA), November 14, 2013.
  125. ^ Jones, Rebecca, PennLive Retraction of 1863 Gettysburg Address Review Spoofed on Saturday Night Live, The Patriot-News (Harrisburg, PA), November 17, 2013.
  126. ^ Killam, Taran, Update, Television, Saturday Night Live, November 16, 2013.
  127. ^ a b Weber, Peter, "A 150-Year-Late Gettysburg Address Retraction and Five Other Ridiculously Belated Apologies", The Week, November 15, 2013.
  128. ^ "Senate Congressional Resolution 26 (PDF) (Government Printing Office, Washington D.C., VA, June 18, 2009), 1-5.
  129. ^ Gary W. Gallagher, Causes Won, Lost, and Forgotten: How Hollywood and Popular Art Shape What We Know about the Civil War (2008)


See also


Hollywood's take on the war has been especially influential in shaping public memory, as seen in such film "classics" as Birth of a Nation (1915), Gone with the Wind (1939), and Lincoln (2012).[129]

The burning of Atlanta from the film trailer of Gone with the Wind


Retraction of bad critique of Lincoln and reactions: The sesquicentennial of the Gettysburg Address also saw a regional paper called "The Patriot-News" retract a negative editorial it published on November 24, 1863 regarding "the silly remarks of the President." [124] This belated retraction was much discussed in the media, and even became fodder for a Saturday Night Live skit featuring the character "Jebidiah Atkinson," played by Taran Killam.[125][126] News publication "The Week" mocked the retraction and remarked that it "[wa]sn't the most consequential apology, nor the most belated." [127] The article proceeded to list other belated apologies, including a June 18, 2009 U.S. Senate resolution passed to apologize for the institution of slavery and segregation.[127][128]

The NPS asked President Obama to make some remarks at Gettysburg on the anniversary of Lincoln's speech.[121] However, Obama declined and assigned the [123]


Typical users on these sites are photojournalists, bloggers and tourists visiting a wide selection of sesquicentennial events across multiple states. The photojournalists on average are above the age of 35 and tend to have a more serious opinion of the events. While many of the tourists appear to below the age of 25 and have a more lighthearted humorous view of the Civil War.

Commemoration for the Sesquicentennial of the American Civil War can be view through various social media sites like Instagram and Twitter through hashtags such as #CivilWar150, #CW150 and #CivilWar[120] The Sesquicentennial is the first anniversary of the American Civil War that has seen the use of social media technologies. This technology offers a unique insight of the public's perspective on the sesquicentennial by allowing each person the opportunity to voice his or her opinion in a free forum.

Social media

The National Archives has created a mobile repository of Civil War information and artifacts that circulates to host museums.[119]

The Library of Congress has a memory site.[118] It provides a large database of primary sourcework for public school analysis. Everything is free access and open to anyone wishing to utilize their resources.

The Library of Congress published a website for general viewing to transmit an American narrative.[117] They offer small synopses of various important events before and during the war effort.

The Gilder Lehrman Institute for American History is a non-profit digital history project for the nation's public school systems.[116] They provide lesson plans but their focus is digitization of valuable primary sources for free viewing.

The Civil War Trust[114] is dedicated to the preservation of American Civil War battlefields. For the sesquicentennial they have compiled a battle narrative.[115]

There is a guide for middle school aged students that has resources geared specifically for them. The LibGuide[112] is part of a project to encourage middle school and high school students to utilize archival collections for their projects, and to assist in making learning history more enjoyable.[113]

Many digital educational resources for teachers have developed out of the sesquicentennial, including virtual reality games such as "ValleySim." This digital resource has been adopted by a number of schools, which allows users to virtually experience life of both Northern and Southern soldiers during the Civil War.[109] Many states offer various educational resources for students and teachers on their Civil War Sesquicentennial websites, such as Pennsylvania on their page "Pennsylvania Civil War 150." Through their "Resources for Teachers" link, various resources are available, including interactive timelines and maps.[110] Various institutions of higher education have also participated in sesquicentennial events. Longwood University has created a series of podcasts entitled That a Nation Might Live to commemorate issues, people and events of the Civil War. The University has integrated this project into undergraduate programs, creating active engagement between students and the Civil War through its written research by undergraduate students.[111]

Education resources

Many states, particularly Southern states, created special educational repositories for teaching the American Civil War during the Sesquicentennial. Many states utilize various Digital Humanities projects, particularly the National Endowment for the Humanities EDSITEment project[108] The EDSITEment website provides ready-made lesson plans with guiding questions and significant primary sources to expand the curriculum. The inclusion of sourcework into online repositories can be used for gaining an understanding of the American Civil War. Other repositories used are listed below.


Digital media has played an important role in Civil War Sesquicentennial tourism. Various states' and battlefield use websites to promote the Civil War sites' activities that have sprouted as part of the sesquicentennial, efficiently and effectively. Organizations such as The Civil War Preservation Trust offer online features that create an itinerary of battlefields and their corresponding events. Through creating itineraries, guests are able to maximize their experience.[104] In line with Civil War Sesquicentennial events, hotels near these events have incorporated the sesquicentennial into their tourism efforts, offering various "Civil War Packages," which include hotel stays, Civil War lectures, art, and battlefield options as well as discounts for purchasing these online packages.[105] The state of Virginia has invested in online sesquicentennial tourism promotions, offering an online trip planner, and promoting less conventional Civil War attractions, such as trail tours, which offer a different story than traditional Civil War events like traditional battle reenactments.[106] The Virginia State tourism website also offers its webpage in various languages, creating a larger audience for its tourism attempts.[107]

State tourism in digital media

Various sesquicentennial apps for mobile devices have appeared, many of these applications free for use. Many of the apps contain various educational and informational features such as GPS battleground locators and guides as well as interactive photographs and maps.[101] "Tennessee Civil War 150," is an app created by the state of Tennessee, which contains various educational features. These features include people, places, artifacts, events and a "nearby" feature, which uses GPS tracking to locate Civil War battlegrounds near your current location.[102] Features such as its "artifacts" option on the homepage allows users to view photographs of various weapons and clothing items from the Civil War. Upon selecting a photo, a brief description of the item is displayed, educating users of its Civil War use as well as ownership history of the item.[103]

Mobile apps

Numerous document digitization projects, such as the Civil War 150 Legacy Project: Document Digitization and Access, have been produced through legislature created commissions, like the Virginia Sesquicentennial of the American Civil War Commission. The document digitization projects involve the digitization, or computer imaging, of privately owned Civil War documents, such as soldier diaries or letters. Through the digitization of these documents, easier access and search of relevant Civil War information is readily available to the public online. These commissions aim to give scholars and the public information about the social, religious and political beliefs of Civil War Era soldiers.[100]

Digital media

Barter Theatre in Abingdon, Virginia premiered Rappahannock County and the theatre musical Civil War Voices, based on period diaries and letters of the period. In addition, the Shenandoah Valley Wayside Theatre and The Whipping Man, originally produced by Manhattan Theatre Club added to theater contributions around the country. However, controversy over how un-popularized other productions in states who chose to not commemorate the sesquicentennial, such as Chicago, has led supporters of commemoration to speak out to their local government about funding.[97] In addition to theater performances, Decatur, Alabama, The Princess Theatre Center for the Performing Arts commemorated with a lecture of stories of the era, book signing, and a concert "Songs and Stories of the Civil War".[98] The 1891 Fredonia Opera House in New York gave nod to the anniversary with a one-man, multimedia production A Better Band Than Mine. This production, originally created in 2002, is based on the actual letters of Civil War Musician, J. Herbert George, 10th Vermont Infantry. Creator Thomas Loughlin created this play due to his love of history of the Civil War and combining his fascination of digital technology.[99]


The Friends of Michigan History put on their third annual The Turning Point of the War, 1863 concert as a tribute to the Sesquicentennial. Both the male soldiers and the ladies of the band wear authentic Civil War outfits while 5th Michigan Regiment Band performed pre-1865 compositions on authentic brass instruments. Members of the band discussed their distress how too often historical events such as the sesquicentennial are completely lost in history.[95] In addition to state bands, the sesquicentennial of the Civil war inspired popular band Civil War. Civil War posted a new music video for the track "Gettysburg" as a tribute to the anniversary on their latest album "The Killer Angels." The band commented on the released video as a contribution in respect for the one who lost their loves long ago on the battlefield of Gettysburg.[96]

Many states involved with the sesquicentennial incorporated music festivals as a tribute. The Wisconsin band, dressed in both blue and gray uniforms, sounded trumpets to popular military tunes to commemorate the Battle of Chancellorsville. This band modeled itself, among those of other states, after the original bands to each respective area. Commemorators expressed how bands shaped the Civil War by soothing the men who had seen so much death.[93] Frankfort, Kentucky contributed a celebration of the music of the Civil War era in a Cornets and Cannons Festival. This performance includes period instruments and will include some of the best and most experienced brass bands today re-creating the music of the Civil War era. Performers from around the country contributed to the overall performance from September 1 through September 4, 2011.[94]


When the cyclorama was restored in 1962 a new visitor's center was commissioned to house the piece. Created by well renowned architect, Richard Neutra. Neurta's design was a part of the National Park's Services' Mission 66, which sought to update "deteriorated and dangerous conditions in the national parks."[89] The visitor center he created was situated right on the battlefield. Through Mission 66, parks underwent modernization, and Neutra's design for the Gettysburg Visitor Center reflected that. "Critics claimed the new building represented the idealism that was a part of the modern movent of the 1960's."[90] By 1999, however, the building had become decrepit and the NPS planned its demolition to restore the sight lines of the battleground its original 1863 aesthetic.[90] This stirred a controversy amongst spectators, including Neutra's son, Dion Neutra, who believed the building itself was worthy of preservation and a part of the National Park Service's own history.[91] Neutra's building closed in 2005 and the Cyclorama painting was moved to its new museum and visitor center in 2007, and two years later, in 2009, during the midst of the 150th anniversary of the Civil War, Neutra's building was bulldozed. The new visitor center opened in 2008 and was designed by Cooper, Robertson & Partners to resemble a 19th-century farm.[92]


The Gettysburg Cyclorama- One of the most important preservation projects brought on by the 150th Anniversary was that of the Gettysburg Cyclorama. This huge art piece is 377 ft. long, 42 ft. high, and weighs 12.5 tons.[88] The cyclorama was originally painted with oil on canvas by Paul Philippoteaux to commemorate the Battle of Gettysburg, and it was opened to the public at Chicago in 1883 with critical and popular acclaim. The enormity of the cyclorama surrounded audiences and transported them the height of the battle. After the popularity of cyclorama dwindled around the start of the 20th century with the popularity of motion pictures, it was taken down and stored in abysmal conditions until it was purchased, mended, and hung in 1913. The cyclorama was purchased by the National Park Service in the late 1940s and underwent its first major restoration in 1962, just before the Civil War Centennial. According to the National Park Service's website, the restoration required, "… hours of hand labor to repair water damaged portions of the painting and two large sections faded by years of direct sunlight."[88] For the 150th Anniversary of the Civil War, the cyclorama underwent a five-year restoration project that started in 2003 at a cost of $15 million.[89] For the restoration, "conservators separated the painting's 27 panels and cleaned each one inch by inch with cotton swabs, stabilized brittle areas and removed bad touchups and damaging glue."[89] The painting, for the first time in decades, has been hung correctly so that it bows inward and gives audiences the feeling of 3-dimensionality.


Contemporary artists have found an opportunity to showcase their works in museums that are putting on exhibits for the Sesquicentennial. Artists like, Dale Gallon, Mort Kuntsler, and Don Troiani have commissioned pieces specifically for this anniversary as a way to capitalize on the revitalized popularity of the Civil War. Dale Gallon- Well- renowned historical artist, Dale Gallon has created 10 new oil paintings for the 150th Anniversary that are currently on display as reproduced murals at the Seminary Ridge Museum in Gettysburg. According to Gallon's website, "The museum will feature 20,000 square feet of interactive exhibit galleries and educational programming…"[82] The 10 new pieces created by Gallon focus on 3 key themes that emphasize life during the Civil War; the first day of combat at the Battle of Gettysburg, hospitalization and treated the wounded, and the moral, spiritual, and civic debates that arose around the Civil War.[82] In a release from the museum the executive director, Barbara Franco, states that the Gallon exhibit, "… will help visitors make a connection to the events on Seminary Ridge and help them understand the voices of duty and devotion focused on [in the exhibit]."[83] The exhibit opened on July 1, 2013 on the 150th anniversary of the Battle of Gettysburg and is now a permanent feature of the museum. Mort Kuntsler- Kuntsler recently finished an exhibit at the South Carolina State Museum entitled, For Us the Living, that ran until April 7, 2013. The show included, 30 paintings and sketches, which were "a highlight of more than 350 Civil War scenes Kuntsler has painted over the past 25 years."[84] After this show, Kuntsler only plans to paint 8 more Civil War themed pieces before retiring from this genre. This collection will be called, A Tribute to the Legend, and will feature, "historical locations, personalities, and events that are special to Kunstler."[85] For the 150th anniversary of the Civil War, Kuntsler partnered with America Remembers to produce the Mort Kuntsler Civil War Sesquicentennial Tribute Rifle. The tribute rifle, a Henry rifle, which was a reliable gun during the war, is attributed with Kuntsler artwork in 24-karat gold.[86] Don Troiani- Troiani has created a number of commissioned works for the 150th anniversary of the Civil War. Most notably, one oil piece that depicts a pivotal moment of African-American involvement on the battlefront, when Sgt. Maj. Thomas R. Hawkins, First Sgt. Alexander Kelly, and Lt. Nathan Edgerton rush forward and recover the Union colors.[87] The painting was revealed in June 2013 at the Union League of Philadelphia.


The Commonwealth of Virginia, as a contribution to the 150th Anniversary of the American Civil War, conducts an annual Signature Conference Series commencing in 2009 and presented through 2015.[80] The day-long meetings included panelists of note on topics that correlate to the circumstances leading up to, during and post-Civil War period. 2009 is "America on the Eve of the Civil War;" 2010: "Race, Slavery and the Civil War;" 2011: "Military Strategy;" 2012: "Leadership and Generalship in the Civil War;" 2013: "The Civil War at Home;" 2014: "The American Civil War in a Global Context;" 2015: "The Causes Won and Lost." The events may be by registered attendance at an academic center in Virginia or are available on DVD for purchase. Individual speaker presentations are approximately fifteen minutes in length. The 2010 Conference topic of "Race, Slavery and the Civil War: The Tough Stuff of American History and Memory is held in September of that year at Norfolk State University, Norfolk, Virginia and chaired by historian James O. Horton, PhD. A sampling of that day's panel are: David Pitcaithley, PhD on "Causes of the Civil War and Public History," and Ira Berlin, PhD speaks on "The African American Soldier." Edna Medford, PhD of Howard University discusses that in the quest for Black rights there must be a dismantling of the contemporary social and legal systems within that Southern culture that is maintaining slavery.[81]


As one of the activities for the State of Texas in this Sesquicentennial era, the city of Galveston has raised funds to erect a marker commemorating Juneteenth. This is significant as on June 19, 1865, Federal troops finally arrived in Galveston, Texas to declare that the Emancipation Proclamation has been signed two and one half years prior and that General Robert Lee has surrendered at Appomattox Courthouse in Virginia on April 9 of that year. The War is over. A contraction of June 19 becomes Juneteenth, the designation of a day of joyous celebration that slavery is over and is annually commemorated. The Galveston Historical Society is also making available a seventy-two page pamphlet of African Americans in Texas: A Lasting Legacy Timeline that may be Downloaded at this site.[79] This pamphlet includes a multitude of historical sites related to African American history in the State of Texas including churches, school, museums and residential and community districts. Photographs and brief synopsis of the locales are provided.


In December 2010, the Secession Ball is held on the 20th of that month in Charleston, South Carolina drew protests from the local National Association for the Advancement of Colored People (NAACP).[77] The event is hosted by the Sons of Confederate Veterans at the Gaillard Municipal Auditorium. Re-enactors representing the Chairman that called for Secession in 1860 display the original "Ordinance of Secession" amidst attendees in antebellum period clothing. Lonnie Anderson of the Charleston NAACP states that the gathering is "nothing more than a celebration of slavery."[78] Commenting on behalf of the Charleston Parks and Recreation Department, set to schedule and manage Sesquicentennial events within that county, Tom O'Rourke admits that "controversy and hard feelings" are expected during this commemorative period. Beyond the confrontations, there is anticipation that this will also open the lines of communication between all parties and the hopes that the Commemorative period will represent all South Carolinians' perspectives of the Civil War.

South Carolina

Hartwick College in Oneonto, New York hosts a "Sesquicentennial Celebration" concurrent with the academic year from 2011 through 2012.[76] This independent, 1500 undergraduate school with Lutheran roots arranges twenty nine lectures on topics of the Underground Railroad explained for a young audience with storytelling and puppeteers to the Historical Methods students culling college archives for institutional links to the Civil War. The intent of this symposium, among other things, is presumed to be inclusive of the African American experience, the institutional history of Hartwick College and the regional ties to the War.

New York

The State of Georgia's National Park Service (NPS) linked site offers a resource for examining and understanding the African American experience in the United States. The NPS selects "From the Civil War to Civil Rights" as the Sesquicentennial theme. The intent is to be more inclusive in nature than what has gone before in the Centennial period, when Jim Crow policies are still a factor in many Southern regions of the United States. To discuss issues of "African Americans in the Civil War" this NPS section is further broken into segments of Ethnography, African Reflections on the American Landscape and one focus group research, done under the auspices of Georgia researchers. Entitled "African American Attitudes toward the Civil War: The War of Jubilee: Tell Our Stories and We Will Come," is a partnership of Kennesaw Mountain National Battlefield Park (KEMO) and the Kennesaw State University Center for the Study of the Civil War.[75] Conducted in 2010, with the three goals of understanding the perspectives of the local African American community, inquiring how African Americans would like their history interpreted and finally, facilitating the incorporation of these desired interpretations into KEMO's presentations. Fifty-seven African American Participants with a history of involvement in heritage and/or preservation groups and also member participants with the National Association for the Advancement of Colored People (NAACP) interact and discuss with the Facilitators. Questions are posed to get a sense of the Participants' attitudes about the Civil War and also about the displays presently offered at KEMO. The Participant's responses indicate that inclusive representation of the range of African American history remains doubtful. There persists the sense among Black citizens that the Southern White population is resistant to any change in the "Lost Cause" narrative and instead prefers and only supports the marginalization of African Americans by being represented as enslaved persons. The men and women of the Participant group suggest changes in data collection from African American families and communities, preferring more personalized histories be found and represented when telling their history. Facilitators list the inclusion of the USCT history as well as the stories of the diversity of the African American lives and communities both before and after the Civil War is included in an updated KEMO interpretation. The Facilitators are also recommending that the histories of the local, Historically Black Colleges and Universities (HBCU) and religious communities that grew from the post-War, mid-19th century are represented and that the educational community will engage in these efforts.


The Shiloh Museum of Ozark History as well as the State's Department of Arkansas Heritage brings together a varied group of communicators, professors, historians and even young Arkansas students, selected for their own prize winning essays on the Sesquicentennial. The four to five minute audio presentations cover topics as expected of the "Confederate Women of Arkansas" and "Arkansas Battlefield Archeology." The podcasts are also varied with "Unionism in Arkansas," "Medicine in Trans-Mississippi" and "Bats and the Civil War." One particularly egregious event is recounted in the podcast "Racial Atrocities during the Camden Expedition," the April 1864 engagement that commences as a forage for corn around Camden, Arkansas and ends in brutality against USCT. While the 1st Kansas Expeditionary force is setting about their re-supplying, they encounter the 29th Texas Cavalry, who they previously defeat at the engagement at Honey Springs. Now, it is 5000 Confederate troops defeating the almost 1200 Federal troops, among them the 1st Kansas Colored Infantry, in what becomes a part of the larger Battle of Poison Springs, Arkansas legacy. Of the 310 Federal troops killed near Camden, 116 are members of the 1st Kansas Colored Infantry. Nine wounded USCT troops are later sought by roaming members of the 29th Texas Cavalry and shot to death while undergoing treatment at battlefield aid stations, presumably in retaliation for battlefield actions "by Negroes against our Confederate troops." Podcast reader Mark K. Christ, a member of the Arkansas Preservation Board, comments: "This War became one of extermination."


Twenty-five States have formally established Sesquicentennial of the American Civil War committees, commissions or departments within each State that are then linked to the National Park Service website. Those States are: Arkansas, Connecticut, Delaware, Georgia, Illinois, Indiana, Iowa, Kansas, Maine, Maryland, Michigan, Mississippi, Missouri, New Jersey, New York, North Carolina, Ohio, Oklahoma, Pennsylvania, South Carolina, Tennessee, Utah, Virginia, West Virginia, and Wisconsin. Regardless of configuration, they may involve both public and private funding partnerships. States with legislatively designated commissions are: Arkansas, Maine, Mississippi, Oklahoma, and Virginia. States whose commemoratives are directed by state heritage agencies or historical societies are: Delaware, Illinois, Indiana, Iowa, Kansas, Michigan, New Jersey, Ohio and Pennsylvania. The States that are relying on their own boards of tourism or economic development to present the Sesquicentennial story are: Georgia, Maryland, Missouri, North Carolina, Tennessee and West Virginia. New York, South Carolina and Utah are drawing from many entities to manage their commemoratives. Central Connecticut State University handles their State's presentations while in Wisconsin the Department of Veterans Affairs manages theirs. The States of Kansas and West Virginia are using the Sesquicentennials of their own States as a co-celebration with the national Civil War commemoratives.[74]


Noted documentarian Ken Burns has been working on a project to commemorate the Gettysburg Address given by Abraham Lincoln four months after the battle at Gettysburg. Titled "The Address," this documentary is set to be released in April 2014.[69] Burns has an online website, "Learn the Address" that shows videos of noted individuals and ordinary folk alike reciting the Gettysburg Address.[70] The site includes celebrities such as President Obama, former presidents George W. Bush and Bill Clinton, along with Steven Spielberg and Stephen Colbert. On November 9, 2013 President Obama's rendition of Lincoln's address was posted on this site.[71] Obama came under attack from talk radio hosts who noted that his rendition left out the "under God" part (which exists in some but not all versions)[72] White House spokesman Jay Carney explained that Obama had merely read the Nicolay copy of the address that Burns provided.[73]

Ken Burns' project

Academic and independent institutions commemorate the Sesquicentennial of the American Civil War (ACW) in their own manner. Some host memorial gatherings on the grounds of former slave communities; others hold community action street festivals incorporating education, musical presentations and social action job fairs and health clinics while still others arrange lecture series blending issues of the ACW with contemporary racial concerns.

Other commemoration

Dual reenactments happened at both Antietam (2012) and Gettysburg (2013) to commemorate the 150th anniversary of the Civil War. Dual reenactments tend to create a division between the hobby's progressive, mainstream and farb re-enactors.[66] They also create confusion about the events dates, times and registration periods. While neither reenactment committee is fighting the other dual reenactments ended up distracting from the entire celebration at hand and creates fights and arguments inside re-enacting regiments. Spectators offered less argumentative problems but insisted that the Gettysburg's tourism bureau tell them which reenactment they should attend.[66] One reenactment is attempting to display historical accuracy, while the other is putting on a show for the spectators.[67] Both are presented by two completely different entities looking to establish themselves as both educational and entertaining. Most re-enactment regiments vote as a group on which reenactment they feel best fits the unit, this is based on the type reenactment, the authenticity, registration and ticket price and the destination of where the profits will go.[68]


The idea of women re-enactors on the battlefield can be a touchy subject as not all women want to play the role of a nurse or local civilian; roles that are needed mainly for living history events. Women who want to play a combat roles (which was indeed played by a few women in disguise in the 1860s), find themselves up against history and the men who lead local Civil War Reenactment Regiments.[64] The men who exclude women from their organizations cite historical accuracy as the main reason why women are excluded from their reenactments. However, Nina Brands argues that they are being more hypocritical than they realize. She says that re-enactors are much heavier than historic soldiers, but women are about the right size.[65] Since 2011, the reenactment community is slowly beginning to open its ranks for female recruits in the sesquicentennial.

Women reenactors

The African American Civil War Memorial Freedom Foundation's charter organization is the Sons and Daughters of Appomattox Court House National Historical Park, Virginia; on Memorial Day weekend in 2013 joining 3rd U.S. Regulars and the 13th Virginia Infantry as NPS honor guards at the Fredericksburg National Cemetery, Fredericksburg, Virginia.

As the number of African American re-enactors grows the number of educational events including them grow as well. For the 150th anniversary many events have been included to incorporate this new group of re-enactors, making the history more complete.[61] Many black regiments participated in 2011 kicking off the sesquicentennial. Their reasons for participation are just as varied and personal as their white counterparts.

The involvement of Black troops during the war is undisputed, however their re-enactors have been missing from events such as battle reenactments, parades, and ceremonies since the first anniversary of the war. However, in the decades leading up to the sesquicentennial there has been an increasing amount of portrayal of what were called during the Civil War, "Colored Troops" in reenactments, representing soldiers for both the North and the South.[59] This surge of interest in the Civil War by the African-American community is partially attributed to the 1989 movie Glory.[60]

African American reenactors

Re-enactors, who are generally amateur history enthusiasts, understand the safety concerns regarding black powder at their events and feel they do a good job at keeping the but public safe by using specific spectator areas. The fundamental issue for the re-enactors, especially for the 150th anniversary, is their belief that the best way to honor the fallen is by educating the public in the horrors that these men faced. In their view, the best way to do that is through battle reenactments and their attention to detail is a sign of respect for those who died.[58]

The major clash between the NPS and local reenactment groups is the NPS policy prohibiting re-enactors from portraying opposing lines of battle as well as simulating casualties and deaths. The park service believes that the best way to honor those who died is to remember them in dedication ceremonies, not recreating their deaths. It cites safety as another main reason for leaving out reenactments, stating the black gunpowder used is volatile and can be dangerous to re-enactors as well as spectators.[57] The NPS believes that the story of the American Civil War can be told accurately without the use of dangerous reenactments. Instead, the National Park Service leans heavily on re-enactors for living history events. The NPS is also conscious of the resources wasted in putting on full-scale reenactments.

NPS versus reenactment groups

Funding for the sesquicentennial reenactments comes from mainly private sources. Most are local communities starting organizations such as the Gettysburg Anniversary Committee (GAC) formed in 1995 specifically to "promote and host the annual reenactment of the Battle of Gettysburg."[55] Other, smaller reenactments are funded by corporate donations and local charities. For the Sesquicentennial these smaller events are hoping to raise more sponsors for the added traffic organizers are expecting.[56]

Because "current NPS policy does not allow for battle reenactments (simulated combat with opposing lines and casualties) on NPS property," many reenactments take place on private lands such as Boy Scout campgrounds and privately run parks rather than Historic Battlegrounds.[54] However the National Park Service does make an exception regarding Gettysburg; most other sites for the Sesquicentennial are strictly living history sites. These living history sites still include re-enactors, just not full battle demonstrations.

Location and funding

Reenactments for the American Civil War Sesquicentennial are not that much different from reenactments that have taken place in previous years. Most state that they are doing something extra for the 150th anniversary by adding more special events, more re-enactors, or extending the days they are open.[53] However, despite the fanfare of the 150th anniversary, many of the Sesquicentennial Reenactments are very similar in size and organization to the reenactments held in previous years. The American Civil War reenactments incorporate more than just tactical movements of the specific battle being portrayed. The reenactments taking place are part of a larger living history that is put forth to transport the general public back to the Civil War era. Re-enactors of all backgrounds take part in portraying battles, life in camp, and life as a woman at reenactment events. Most reenactments incorporate an opening ceremony, a ladies tea, Union and Confederate Camps to explore, period appropriate sutlers (vendors), field hospitals, bands, military and Cavalry drills, and the actual battle reenactment. Because the war spanned five years the 150th anniversary reenactments are spread out not only across the country but across time as well, taking place from 2011 through 2015.

A century later at the Battle of Gettysburg 150th anniversary commemoration from June 28, 2013 to July 7, 2013 came the largest historical reenactment in the United States. There were approximately 12,000 re-enactors from around the world, over 200,000 spectators, 400 Gettysburg Anniversary Committee workers and nearly 500 reporters that attended the sesquicentennial.[52] This 10 day event in a town of 7,800 people is thought to have brought in over $100 million in economic revenue.

The first major re-enactment took place at the 1913 Gettysburg reunion.[51]

Reenactments are a scripted form of educational or entertainment activity in which participants follow a prearranged plan to reconstruct aspects of an event or period which can include living histories, museum exhibits, plays, television, film, travelogues and historiographies.[50]


Ulysses S. Grant National Historic Site. According to Historian Pam Sanfilippo "Historical societies, museums, and the NPS are all facing cuts in funding regardless of whether they are government or privately run.'[49]

Private funding

The Wisconsin Civil War Sesquicentennial Commission site does not show any funding or grant program directly for the Civil War Sesquicentennial.[48]


West Virginia Sesquicentennial of the American Civil War Commission's mission is to promote awareness, but does not show any funding or grant program directly for the Civil War Sesquicentennial.[47]

West Virginia

The Virginia Sesquicentennial of the American Civil War Commission has a tax-deductible donation to support the Civil War's 150 year.[45] The Virginia Sesquicentennial of the American Civil War Commission (the Commission) and the Virginia Tourism Corporation (VTC) have created a special American Civil War Sesquicentennial Tourism Marketing Program that has a grant program for a 1 to 1 match up to $5,000.00 in promoting the observance of the 150th anniversary of the American Civil War.[46]


The Tennessee Civil War Sesquicentennial Commission was created to lead the state's efforts in commemorating the 150th anniversary of the Civil War does not show any funding or grant program directly for the Civil War Sesquicentennial.[44]


The South Carolina Civil War Sesquicentennial Advisory Board does not show any funding or grant program directly for the Civil War Sesquicentennial.[43]

South Carolina

Pennsylvania Civil War 150 (PACW 150) is the official statewide program commemorating the 150th anniversary of the Civil War, 2011-2015, which does not show any funding or grant program directly for the Civil War Sesquicentennial.[42]


Civil War 150 Advisory Committee does not show any funding or grant program directly for the Civil War Sesquicentennial.[41]


The North Carolina Civil War Sesquicentennial Committee does not show any funding or grant program directly for the Civil War Sesquicentennial.[40]

North Carolina

New York State Civil War Sesquicentennial Committee does not show any funding or grant program directly for the Civil War Sesquicentennial.[39]

New York

New Jersey Civil War Sesquicentennial Committee does not show any funding or grant program directly for the Civil War Sesquicentennial.[38]

New Jersey

The Missouri Civil War Sesquicentennial Commission purpose is to increase awareness and understanding of Missouri's role in the Civil War but does not show any funding or grant program directly for the Civil War Sesquicentennial.[37]


The Mississippi Sesquicentennial of the American Civil War Commission site does not show any funding or grant program directly for the Civil War Sesquicentennial.[36]


Michigan Civil War Sesquicentennial Committee does not show any funding or grant program directly for the Civil War Sesquicentennial.[35]


Civil War Sesquicentennial Resources site gives no signs of any funding or grant program directly for the Civil War Sesquicentennial.[34]


The Maine Civil War Sesquicentennial site is hard to navigate and no signs of any funding or grant program directly for the Civil War Sesquicentennial.[33]


The Kentucky Civil War Sesquicentennial Commission is creating Civil War heritage tourism development opportunities, educating students, training teachers, developing initiatives for new scholarship and encouraging events and activities across the commonwealth, but does not show any funding or grant program directly for the Civil War Sesquicentennial.[32]


The Iowa Civil War Sesquicentennial Committee website does not show any funding or grant program directly for the Civil War Sesquicentennial.


The Illinois Civil War 150th Anniversary lists grant making partners but does not show a specific funding or grant program directly for the Civil War Sesquicentennial.[31]


Georgia's Civil War Sesquicentennial website was created by the Tourism Division of the Georgia Department of Economic Development as part of the state's efforts to commemorate the 150th anniversary of the Civil War.[30] This website does not talk about any grant program, but does have a partner website.


The Civil War Sesquicentennial Planning Committee & Delaware Heritage Commission show no direct grants or funding for the Civil War Sesquicentennial.[29]


The Connecticut Civil War Commemoration Commission does not have a grant program, but does have a list of organizational Partners.[28]


The Arkansas Civil War Sesquicentennial Commission has established a matching fund grant program for up to $2,000.00 for local commemoration of the Civil War in Arkansas.[27]


State funding and grants

The Civil War Battlefield Preservation Program (established 1999) utilizes government matching grants and private funds to permanently protect Civil War battlefields that are not within national park boundaries.[26] When the Interior Appropriations bill for FY 2010 is passed later this week it will include $9 million for the federal Civil War Battlefield Preservation Program (CWBPP). This money, the largest single-year allocation the program has ever received, will come from the federal Land and Water Conservation Fund (LWCF).[26] Grants totaling $10 million a year are authorized through 2013 (as per the 2009 A BPP authorization (16 U.S.C 46 9k–1)).[26]

Civil War Battlefield Preservation Program (CWBPP)

National Park Service Budget Justification does not include any direct federal funding for the Civil War Sesquicentennial from FY 2008 through FY 2014.[25] FY 2014 budget of $2.6 Billion FY 2013 budget of $2.6 Billion FY 2012 budget of $2.9 billion FY 2011 budget of $2.7 billion FY 2010 budget of $2.7 billion FY 2008 budget of $2.364 billion FY 2007 budget of $2.156 billion FY 2006 budget of $2.249 billion

NPS federal funding

In spite of the ongoing popularity of the war, there is no national commission to commemorate this sesquicentennial.[21] The Civil War Sesquicentennial Commission Act, from the 107th, 108th, 109th 110th, 111th, 112th Congress all died in committee after being sent for review from other sub/committees.[22] What all these acts have in common for the Civil War Sesquicentennial was to establish a commission to commemorate the sesquicentennial of the American Civil War, and a grant program.[23] This Grant program would have appropriated $3,500,000.00 to the National Endowment for the Humanities (NEH) for grants for activities relating to the Sesquicentennial Civil War, but NEH is not directly sponsoring any Sesquicentennial projects.[23] State humanities councils may sponsor their own sesquicentennial activities, partly using unrestricted funds that are given to each state by NEH.[24]

Federal funding and grants

The National Park Service's social media team was commended by a local newspaper for their photojournalism coverage of the Battle of Chancellorsville.[20]

Several park superintendents have been awarded the Appleman-Jude-Lewis Award for their efforts in commemorating the 150th anniversary of the American Civil War. Eight park service employees received the award, recognizing their work in "preserving the nation's cultural resources"[19]

In honor of the 150th anniversary, the exhibits at the Chancellorsville Visitors Center got a $1.6 million upgrade.[17] The original Visitors Center was originally completed to coincide with both the 100th anniversary of the Civil War and the 50th anniversary of the birth of the National Park Service.[18] The new exhibit will reflect current research and scholarship. The National Park Service intends to create a contemplative space focusing on the sacrifices of those that fought in the war.

Acknowledging the need for an internet presence, the National Park Service launched a website about the 150th anniversary and Civil War history featuring a list of NPS events, as well as creating several digital humanities projects. These projects included databases of soldiers, cemeteries, and Medals of Honor awarded; an interactive time line of Civil War events, and a Twitter account featuring the daily accounts of a fictional Civil War newspaper reporter.[14][15] The NPS and local governments hoped that the sesquicentennial would increase visitation to Civil War battlefield site, and generate revenue. Spotsylvania County made about $68,000 off of the special events for the Battle of Chancellorsville, which it considered insufficient, considering the effort.[16]

National Park Service

Governmental support

2011 marked the 150th anniversary of the beginning of the American Civil War. Many in the American South attempted to incorporate both black history and white perspectives. A Harris Poll given in March 2011 suggested that Americans were still uniquely divided over the results and appropriate memorials to acknowledge the occasion.[12] While traditionally American films of the Civil War feature "brother versus brother" themes, film treatments of the war are evolving to include African American characters. Benard Simelton, president of the Alabama NAACP, said celebrating the Civil War is like celebrating the "Holocaust". In reference to slavery, Simelton said that black "rights were taken away" and that blacks "were treated as less than human beings."[13]

Civil War Sesquicentennial (150)

The state commissions took a sectional perspective, using different key words and phrases to reflect their viewpoints, and sponsored and encouraged different public memorials and activities. Segregation was still in effect but it was under heavy attack by the Civil Rights Movement. The Southern states presented their official view that the infrastructure of historical reenactment groups that performed pageants and re-creations of Civil War battles, field maneuvers, and encampments.[11]

At the national Commission, key members urged different priorities. Emory University Professor Bell I. Wiley recommended a major effort to document and preserving information from historic letters, newspapers and public documents. Ulysses S. Grant III, the first chairman, wanted to emphasize large-scale events that appealed to the public, such as "sham battles" or reenactments. Businessman Karl Betts, the first executive director of the Commission, looked for ways it could spur economic development. They all agreed on a Cold War consensus to the effect that all good Americans were ideologically united, with the result that potentially divisive civil rights issues were not emphasized. The National Park Service was in overall charge; it wanted Congress to appropriate more money to re-landscape and interpret major battlefields along traditional lines. The Post Office issued a series of noncontroversial commemorative stamps to mark the centennial.[10]

The shadow of ongoing conflict over American civil rights affected implementation of the 100-year commemorative activities. Neither Congress nor President Dwight D. Eisenhower were interested in a risking debate over single, unified, national theme for the commemoration, so the official interpretive work was carried out by the various state commissions.[9]

American Civil War Centennial (100)

A 1961 Civil War Centennial postage stamp depicts a cannon and its gunner.

The Lincoln Memorial in Washington was dedicated in 1922. It has become one of the most visited war memorials. It has been the site of many famous celebrations of freedom, most notably Marian Anderson's 1939 Concert and Martin Luther King's 1963 "I Have a Dream" speech.[7][8]

Lincoln Memorial

Lincoln Memorial in Washington

[6] The battlefield is under the control of the national park Service and is a major tourist destination.[5]

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