World Library  
Flag as Inappropriate
Email this Article

The St. Valentine's Day Massacre (film)

Article Id: WHEBN0002114151
Reproduction Date:

Title: The St. Valentine's Day Massacre (film)  
Author: World Heritage Encyclopedia
Language: English
Subject: David Canary, Joe Turkel, Roger Corman, Frank Silvera, Paul Frees
Publisher: World Heritage Encyclopedia

The St. Valentine's Day Massacre (film)

The St. Valentine's Day Massacre
Directed by Roger Corman
Produced by Roger Corman
Written by Howard Browne
Starring Jason Robards
George Segal
Ralph Meeker
Uncredited: Jack Nicholson
Narrated by Paul Frees
Music by Lionel Newman
Fred Steiner
Cinematography Milton R. Krasner
Edited by William B. Murphy
Distributed by Twentieth Century-Fox
Release dates
  • June 30, 1967 (1967-06-30)
Running time 100 min.
Country United States
Budget $2,175,000[1]
Box office $1,700,000 (US/ Canada)[2]

The St. Valentine's Day Massacre is a ) on orders from Al Capone. It was directed by Roger Corman and written by Howard Browne.

The film starred .

Orson Welles was originally supposed to play Capone, but Twentieth Century Fox vetoed the deal, fearing that Welles was "undirectable."[3] The film's narration had a style similar to that of Welles, but it was actually narrated by well-known Hollywood voice actor Paul Frees.

A young Bruce Dern plays one of the victims of the massacre, and Jack Nicholson has a bit part as a gangster. Also featured are Jan Merlin as one of Moran's lieutenants and veteran Corman actor Dick Miller as one of the phony policemen involved in the massacre.


  • Plot 1
  • Cast 2
  • Background 3
  • Trivia 4
  • References 5
  • External links 6


An 's activity in the city. Moran, too, wants control of the town's bootlegging and gambling operations. His lieutenants Peter and Frank Gusenberg use threats and intimidation to make tavern owners do business with them in exchange for "protection." Moran gives the order to have a crony of Capone's eliminated as the Chicago body count escalates. Inclusive are flashbacks to a lunchtime attack on Capone at a restaurant outside of Chicago by Hymie Weiss and Moran in September 1926 and the murders of Weiss in October 1926 and Dion O'Banion in November 1924 by Capone's gang.

In a bid to get rid of Moran once and for all, Capone goes to his winter home in Miami, Florida to establish an alibi while his henchmen, some dressed as cops, ambush and execute seven members of Moran's gang in a northside garage on February 14, 1929. Each character is given a verbal voiceover biography as they are introduced, and in some video releases, the biographies of Rheinhard Schwimmer and Adam Heyer, two of the massacre victims, are removed from the soundtrack, possibly due to protest from surviving family members.



The St. Valentine's Day Massacre was not, as might be guessed, inspired by the 1959-63 ABC TV series, The Untouchables, but is one of many motion pictures adapted from a CBS Playhouse 90 episode; Seven Against The Wall, broadcast on Playhouse 90 in December 1958, was also written by Harold Browne and featured actors Milton Frome, Celia Lovsky and Frank Silvera in the same roles that they play in the film.

To make certain the film would have the look of a gangster film, Roger Corman shot the film at the Desilu studios and used other sections of the back lot for different locales of Chicago. He filmed the Massacre scene in one of the Desilu lots which got converted to look like the garage where the crime was committed. (The real garage was torn down by the time the movie started production). Another matter was the recreation of the Massacre itself: before filming, Corman found photos of the mass murders. Then he had the actors for the scene study the stills, followed by rehearsals and the actual shoot. After one take, the massacre came in the way it looked in the old photos and the collapse of each actors followed the positions the murder victims fell in the real massacre.

The film was one of the few that Roger Corman directed from a major Hollywood studio with a generous budget and an open-ended schedule. While most directors would love such an assignment, Corman was disgusted with the incredible waste of time and money involved with "typical" movie production techniques. He was given a $2.5 million budget and made it for $400,000 less.[4] Corman, an independent director, was most comfortable in his own style: shoestring budgets, and shooting schedules measured in days, rather than weeks. Nonetheless, it is generally considered one of his best films as a director.


In 2009 Empire magazine named it #7 in a poll of the 20 Greatest Gangster Movies You've Never Seen* (*Probably)


  1. ^ Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p255
  2. ^ "Big Rental Films of 1967", Variety, 3 January 1968 p 25. Please note these figures refer to rentals accruing to the distributors.
  3. ^ Corman Roger & Jerome, Jim How I Made a Hundred Movies in Hollywood and Never Lost a Dime DaCapo Press 1988
  4. ^ Mark McGee, Faster and Furiouser: The Revised and Fattened Fable of American International Pictures, McFarland, 1996 p266

External links

This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from World Library are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.